For more details on the courses, please refer to the Course Catalog
| Code | Course Title | Credit | Learning Time | Division | Degree | Grade | Note | Language | Availability |
|---|---|---|---|---|---|---|---|---|---|
| FRE5025 | French Performance Art and Image Medium | 3 | 6 | Major | Master/Doctor | 1-4 | French Language and Literature | - | No |
| French Performance Art and Image Medium | |||||||||
| FTM4027 | The Film Director | 3 | 6 | Major | Bachelor/Master | 1-4 | Film, Television and Multimedia | Korean | Yes |
| The Film Director : The class treats firsthand examples from giants such as Godard, Hitchcock, Kubrick and Nolan along with discussions of the working methods of Park Chan-Wook, Bong Jun-Ho, and Lee Chang Dong. The mechanics and techniques of staging and handling the camera are examined, the art of keeping a story moving is explained, and working with actors so that they can give their personal best is analyzed as Bare did with the volume's foreword writer, James Garner, whom he discovered. | |||||||||
| FTM5057 | Games and Creative Design | 3 | 6 | Major | Master/Doctor | 1-4 | Film, Television and Multimedia | Korean | Yes |
| Games are no longer created for entertainment purposes and are now recognized as s form of a fusion art that can be used as a design tool. In this course students are encouraged to attempt to broaden the boundaries of games to a creatively use for variety of applications. | |||||||||
| FTM5060 | Interaction: Technology, Art and Design | 3 | 6 | Major | Master/Doctor | 1-4 | Film, Television and Multimedia | - | No |
| Interactive media and content present new converged form of narrative, aesthetics and ICT technologies. In this course, students approach interaction from multi-disciplinary view for social and industrial phenomenon, essential elements for manifesting on various media and designers who orchestrates convergence. | |||||||||
| FTM5065 | Networks and Collaboration | 3 | 6 | Major | Master/Doctor | 1-4 | Film, Television and Multimedia | Korean | Yes |
| The internet has brought all the information of the world on one network. The emergence of mobile devices have enabled us to access to such network anytime and anywhere. Furthermore, social network services have taken human relationships online. This course intends to have discussions in depth discovering examples and possibilities surrounding such changes. | |||||||||
| FTM5069 | Charater design for narrative | 3 | 6 | Major | Master/Doctor | 1-4 | Film, Television and Multimedia | Korean | Yes |
| Students will discuss of general development of character, and it's cooperation works. And this class will study to increase character's value as a product. | |||||||||
| FTM5095 | The Language of New Media | 3 | 6 | Major | Master/Doctor | Film, Television and Multimedia | Korean | Yes | |
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| FTM5096 | Understanding Transmedia | 3 | 6 | Major | Master/Doctor | 1-4 | Film, Television and Multimedia | Korean | Yes |
| This class offers a new, interdisciplinary model for understanding audience engagement as a type of behaviour, a form of response and a cost to audiences that, combined, offer value to the screen industries. Understanding Engagement in Transmedia Culture explicitly asks what audiences and screen practitioners mean when they say content is ‘engaging’ and uses audience focus groups and practitioner interviews to offer a model for understanding the relationship between the screen industry, the content it produces and its audiences. In particular, the model addresses engagement within transmedia culture. | |||||||||
| GER4006 | Seminar in German Literature | 3 | 6 | Major | Bachelor/Master |
3-4
1-4 |
German Language and Literature | Korean | Yes |
| This course is designed to understand the literary texts through discussion and reading only without any prior knowledge about the texts. Various texts will be covered during the discussion and recommendations of the texts will be made. | |||||||||
| GER5019 | Seminar on the Comparative Study of Western Literary Thoughts | 3 | 6 | Major | Master/Doctor | 1-4 | German Language and Literature | - | No |
| A close reading of the major literary classics. Along the way we also explore the background and development in literary thoughts such as Classicism, Romanticism, Symbolism, Realism, and Modernism from the comparative perspective. | |||||||||
| GER5020 | German Stylistics | 3 | 6 | Major | Master/Doctor | 1-4 | German Language and Literature | Korean | Yes |
| This course will treat the diverse possibilities of stylistics from the collective methodology to absolute aesthetic point of view in order to clarify the inter-relations of those various approaches. Students will also study the stylistic effects in the works of the post-war writers. | |||||||||
| IPA5028 | History of the Performing Arts | 3 | 6 | Major | Master/Doctor | 1-4 | Korean | Yes | |
| This course surveys the history of performing arts from the ancient times to the present with emphasis on the development of theater including such movements as neo-classicism, romanticism, realism, early 20th century subjectivity and late 20th century eclecticism. | |||||||||
| IPA5048 | Seminar in Arts Management 1 | 3 | 6 | Major | Master/Doctor | 1-4 | Korean | Yes | |
| A special seminar or independent study course intended to cover topics in arts management not treated by regular course offerings. | |||||||||
| IPA5052 | Special Lecture on Arts | 3 | 6 | Major | Master/Doctor | 1-4 | Korean | Yes | |
| For this course, special lecturers are invited bi-weekly from in and out of campus to deal with special problems for arts fields. The course work will include not only lecture-discussion but also performance attendance, master classes with artists and field trips. Students are required at the end of semester to submit a thesis on the subject of their choices. | |||||||||
| IPA5053 | For this course, special lecturers are invited bi-weekly from in and out of campus to deal with spec | 3 | 6 | Major | Master/Doctor | 1-4 | Korean | Yes | |
| An intensive study of aesthetics and social significances of popular and mass culture. Discusses also the artistic particularities of popular culture in modern consumer society. | |||||||||